The curatorial and editorial project for systems, non-
Engaging with ideas of space and abstraction, Lothar Götz's line drawings are built up through layers of juxtaposing colours.
Perhaps best known for his large-
Brought together in dense compositions on painted card and board, Götz's thin pencil lines explore the impact of using varying colours and intensities on the work's surface. Referencing and expanding upon the abstract language of Suprematism and the Bauhaus, the colours appear to oscillate in front of the viewer to immerse them in the surrounding space.
Alongside over 40 colour illustrations, an essay by Charles Darwent explores the range of influences on Götz's recent body of work.
To commemorate the publication, Götz has created a limited-
For further information, see the .
Join the artist for a book signing at The House of St Barnabas, London on Monday,
16 March. Coinciding with Götz's display at The House of St Barnabas (February-
RSVP to Daniel Griffiths,
The Monro Room
The House of St Barnabas
1 Greek Street
W1D 4NQ, UK
©Copyright Patrick Morrissey and Clive Hancock All rights reserved.